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  <url>
    <loc>https://www.guillaumefaure.eu/press-1</loc>
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      <image:title>Press</image:title>
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      <image:title>Press - SOMA</image:title>
      <image:caption>Interactive and sensory cinema cabin for solo spectators, "Soma" by Guillaume Faure explores the unconscious relationship of the body to the image. An immersive cinematographic experience on the edge of psychotherapy. […] Unlike other immersive cinema pieces, Soma is not a playful or even ostentatious device like a 360° film for Oculus Rift. Its general concept is clearly more focused on a sensory awakening principle, with almost therapeutic aims in perspective. […] The whole concept is based on the body and trying to re-establish contact with it, through the audiovisual system. It is a way of reminding us of the power and strength of this 'machine' to make choices that are not those of reason.” Read article</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6564857766f1f6169a87a8d3/7d32ed55-af7b-43d0-925f-b01dc1650422/logos_telerama.jpg</image:loc>
      <image:title>Press - SOMA</image:title>
      <image:caption>The digital artist Guillaume Faure is nourished by a double experience as a photographer (notably for the film Yves Saint-Laurent by Jalil Lespert) and a cinematographer, which taught him the requirement of light and the sense of the frame. After a video and sound installation Mange-rêve (2010), he develops a strange device: Soma. I sit down in the small cinema room designed for the occasion. And put three fingers of my right hand on sensors that will detect my heart rate, my body temperature, and my sweat. It is indeed my emotions that will condition the narration and the editing of the projected film. The sounds make the chair vibrate and envelop me. Guillaume Faure willingly speaks of a massage of the subconscious. Read article</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6564857766f1f6169a87a8d3/551064ed-a29a-4bc1-a182-4b07652cb8d0/logos_lavoixdunord.gif</image:loc>
      <image:title>Press - SOMA</image:title>
      <image:caption>Soma, by Guillaume Faure. Two interactive cinema booths. A small booth, a wooden armchair. And, on one of the armrests, three points to put your fingers on. The white screen suddenly becomes black. Little by little, images take shape. The impression of being in front of a kaleidoscope, which comes to life according to the emotions of the spectator. "A machine centered on the body and the perception. A photo booth of the unconscious. Read article</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6564857766f1f6169a87a8d3/62b90257-6c0c-465e-8076-5543e18625a3/logos_lesechos.jpg</image:loc>
      <image:title>Press - SOMA</image:title>
      <image:caption>Charles Carcopino, his curator, signs one of his most beautiful successes with this learned, poetic, artistic and playful exploration of new cinematographic practices. Making one's own montage of a film with Thierry Fournier Dépli; orchestrating images according to one's emotions with Guillaume Faure Soma; getting lost in the light beam of Etienne Rey Space Odyssey; ... Read article</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6564857766f1f6169a87a8d3/d05e288f-4aaa-4644-94c9-49cc2e54f35e/logos_poptronics.gif</image:loc>
      <image:title>Press - SOMA</image:title>
      <image:caption>More disturbing, "SOMA" by Guillaume Faure, also places the viewer at the center of the installation but deprives him of the choice of interaction. Installed alone in a small capsule, his fingers placed on sensors, he sees scenes, colors and sounds selected by the computer according to his emotional responses. The proposed montages influence in turn the mind of the guinea pig, subject and object merge. Read article</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6564857766f1f6169a87a8d3/f01e120f-9557-4594-86a8-424e9f42e7b4/logos_lacroix.gif</image:loc>
      <image:title>Press - SOMA</image:title>
      <image:caption>The experiments of "sensitive cinema", as Soma, of Guillaume Faure, which makes scroll images in supposed relationship with the emotional state of the visitor, transform it into guinea pig of fair. Perhaps a way to reconnect with the modest origins of cinema. Read article</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6564857766f1f6169a87a8d3/ead2224a-d758-4c56-859b-f5131a0fe557/logos_timeout.jpg</image:loc>
      <image:title>Press - ECHO</image:title>
      <image:caption>After contemplating the shadows, it's time to confront the self: 'Echo' is an installation by Guillaume Faure that offers the unsettling (and fascinating at the same time) experience of conversing with ourselves and seeing how we are perceived from the outside. After speaking with yourself, you can chat with a work of art. Read article</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6564857766f1f6169a87a8d3/1d1231f1-4d19-4da2-8c31-bce1555df72c/logos_beteve.jpg</image:loc>
      <image:title>Press - ECHO</image:title>
      <image:caption>Santa Mònica’s museum triumphs with an immersive journey to 'The Other Side' of consciousness. More than 5,000 people have already visited its maze in the first month of opening, a playful journey through the unconscious and altered states of perception. Read article</image:caption>
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      <image:title>Press - ECHO</image:title>
      <image:caption>Visit of the exhibition and interviews of the curators, report for the Catalan television news. See the video</image:caption>
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    <image:image>
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      <image:title>Press - ECHO</image:title>
      <image:caption>Visit of the exhibition, Report from a journalist from TimeOut. See the video</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6564857766f1f6169a87a8d3/bd631d84-3055-4f2b-9c2a-c9ec5a6c086f/logos_insideart.jpg</image:loc>
      <image:title>Press - ECHO</image:title>
      <image:caption>Gian Maria Tosatti will present an installation at the Center of Contemporary Art in Barcelona until June 6th. 'The Other Side' is the title of the exhibition project, an invitation to change perspective and observe the world with different eyes. It is a completely immersive show curated by Ferran Utzet and Enric Puig Punyet. Among other artists present are Anna Irina Russell, Antonia Rossi + Roberto Contador, Domestic Data Streamers, Francesca Llopis, Guillaume Faure, Sleepwalk Collective, Max de Esteban, Pere Llobera, and Yapci Ramos. Read article</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6564857766f1f6169a87a8d3/75dc2eeb-6b21-4aca-8193-186122944506/logos_nuvol.jpg</image:loc>
      <image:title>Press - ECHO</image:title>
      <image:caption>The works that we come across during this journey are creations by artists such as Anna Irina Russell, Antonia Rossi and Roberto Contador, Francesca Llopis, Guillaume Faure, Max de Esteban, Pere Llobera, or Yapci Ramos. All of them present different perspectives on the idea of 'the other side': alternative realities, new ways of moving and communicating, shadows and silhouettes... Read article</image:caption>
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      <image:caption>https://v.daum.net/v/20251124144850860</image:caption>
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      <image:caption>https://news.skbroadband.com/news/articleView.html?idxno=212256</image:caption>
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    <loc>https://www.guillaumefaure.eu/about</loc>
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    <lastmod>2025-05-26</lastmod>
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  <url>
    <loc>https://www.guillaumefaure.eu/new-page-2</loc>
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    <lastmod>2024-02-12</lastmod>
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    <lastmod>2024-04-16</lastmod>
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      <image:title>PRESS SOMA (Copy) - SOMA</image:title>
      <image:caption>Diana Rhee</image:caption>
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      <image:title>PRESS SOMA (Copy) - SOMA</image:title>
      <image:caption>Donna Alexander</image:caption>
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      <image:title>PRESS SOMA (Copy) - SOMA</image:title>
      <image:caption>Harold Sato</image:caption>
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      <image:title>PRESS SOMA (Copy) - SOMA</image:title>
      <image:caption>Jean Sharma</image:caption>
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      <image:title>PRESS SOMA (Copy) - SOMA</image:title>
      <image:caption>Arthur Bennett</image:caption>
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      <image:title>PRESS SOMA (Copy) - SOMA</image:title>
      <image:caption>Katherine Campbell</image:caption>
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      <image:title>PRESS SOMA (Copy) - ECHO</image:title>
      <image:caption>Soma, by Guillaume Faure. Two interactive cinema booths. A small booth, a wooden armchair. And, on one of the armrests, three points to put your fingers on. The white screen suddenly becomes black. Little by little, images take shape. The impression of being in front of a kaleidoscope, which comes to life according to the emotions of the spectator. "A machine centered on the body and the perception. A photo booth of the unconscious. Read article</image:caption>
    </image:image>
    <image:image>
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      <image:title>PRESS SOMA (Copy) - ECHO</image:title>
      <image:caption>Soma, by Guillaume Faure. Two interactive cinema booths. A small booth, a wooden armchair. And, on one of the armrests, three points to put your fingers on. The white screen suddenly becomes black. Little by little, images take shape. The impression of being in front of a kaleidoscope, which comes to life according to the emotions of the spectator. "A machine centered on the body and the perception. A photo booth of the unconscious. Read article</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6564857766f1f6169a87a8d3/69d146fc-d608-4531-b448-7a2101748623/logos_tv3.jpg</image:loc>
      <image:title>PRESS SOMA (Copy) - ECHO</image:title>
      <image:caption>Soma, by Guillaume Faure. Two interactive cinema booths. A small booth, a wooden armchair. And, on one of the armrests, three points to put your fingers on. The white screen suddenly becomes black. Little by little, images take shape. The impression of being in front of a kaleidoscope, which comes to life according to the emotions of the spectator. "A machine centered on the body and the perception. A photo booth of the unconscious. Read article</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6564857766f1f6169a87a8d3/ead2224a-d758-4c56-859b-f5131a0fe557/logos_timeout.jpg</image:loc>
      <image:title>PRESS SOMA (Copy) - ECHO</image:title>
      <image:caption>Soma, by Guillaume Faure. Two interactive cinema booths. A small booth, a wooden armchair. And, on one of the armrests, three points to put your fingers on. The white screen suddenly becomes black. Little by little, images take shape. The impression of being in front of a kaleidoscope, which comes to life according to the emotions of the spectator. "A machine centered on the body and the perception. A photo booth of the unconscious. Read article</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6564857766f1f6169a87a8d3/bd631d84-3055-4f2b-9c2a-c9ec5a6c086f/logos_insideart.jpg</image:loc>
      <image:title>PRESS SOMA (Copy) - ECHO</image:title>
      <image:caption>Soma, by Guillaume Faure. Two interactive cinema booths. A small booth, a wooden armchair. And, on one of the armrests, three points to put your fingers on. The white screen suddenly becomes black. Little by little, images take shape. The impression of being in front of a kaleidoscope, which comes to life according to the emotions of the spectator. "A machine centered on the body and the perception. A photo booth of the unconscious. Read article</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6564857766f1f6169a87a8d3/d121cf4a-56e2-4857-bd42-4a9b13a8246f/logos_tiktok.jpg</image:loc>
      <image:title>PRESS SOMA (Copy) - ECHO</image:title>
      <image:caption>Soma, by Guillaume Faure. Two interactive cinema booths. A small booth, a wooden armchair. And, on one of the armrests, three points to put your fingers on. The white screen suddenly becomes black. Little by little, images take shape. The impression of being in front of a kaleidoscope, which comes to life according to the emotions of the spectator. "A machine centered on the body and the perception. A photo booth of the unconscious. Read article</image:caption>
    </image:image>
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